Born on July 12, 1984, in Novi Sad, Serbia, into a family of homeopathic physicians, I was introduced from an early age to a holistic understanding of health, life, and the interconnectedness of body, mind, and spirit. Growing up in this environment shaped my perception of the world and laid the foundation for the path I follow today.
At the age of twenty-one, I moved to Rome, where I studied Art History. My academic journey and deep interest in art, particularly the thought and methodology of Aby Warburg, nurtured my fascination with symbolism, culture, and the hidden connections that shape human experience. Life later led me to spend a period in Naples before eventually settling in Switzerland.
Over time, my focus gradually expanded from the study of art toward a deeper exploration of the human body, consciousness, and the transformative power of breath. Alongside my academic and professional journey, I had been practicing Ashtanga Yoga for many years. The birth of my children further rekindled my interest in Classical Homeopathy, reconnecting me with the healing tradition that had accompanied me since childhood.
In 2016, in Switzerland, I began my professional training as a Complementary Therapist specializing in Classical Homeopathy. Today, I maintain an active homeopathic practice while continuously deepening my studies and personal exploration of holistic health.
Yoga and breathwork have become central elements of my path. With passion and curiosity, I continue to explore and integrate different approaches and methodologies, with a particular interest in Ashtanga Yoga, Kundalini Yoga, and the profound relationship between breath, awareness, and personal transformation.
My work is rooted in the belief that healing and growth emerge through a deeper connection with ourselves. By combining the wisdom of homeopathy, conscious breathing, and embodied practices, I seek to create a space where individuals can reconnect with their inner resources, cultivate balance, and support their journey toward greater well-being.
